Reviewed by Aaron Kreuter

Caught, Lisa Moore’s latest novel, is about a 25-year-old prison escapee attempting to smuggle millions of dollars of marijuana into Canada. As anyone who is familiar with Moore will attest from the above description alone, this is a new direction for the author, whose breathtaking and emotional short stories and novels have been delighting and moving readers in Canada and beyond for over a decade. (Certain moments in her work have stayed with me as vividly as my own most formative memories.)

The novel, which came out last month, is the latest in Moore’s recent literary success. In October 2012 a volume of selected short fiction came out, containing the best stories from her earlier two collections, Degrees of Nakedness and Open, as well as new work. Then, this past March, Moore’s second novel, February, won CBC’s Canada Reads competition (click here for our review of February). The difference between these two books is stark: where February was an exploration of grief and of a family dealing with past tragedy, Caught is an adventure story and a crime drama, and is by far the most plot-oriented of anything Moore has done before.

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Today is the launch of the discussion guide for David Grossman’s engrossing novel To the End of the Land.

This novel believes in what Grossman calls the “fullness of life” and, at the same time, it honestly represents the violence, complexity, and demoralizing effect of the Israeli-Palestinian conflict. At its core, To the End of the Land is a treatise on the importance of human relationships — in all their messy, emotional truth — in surviving life in a war-torn country, where the existential threat to the life of oneself and one’s loved ones is omnipresent. This book is a love story, a drama, a war story, a family story, a female story, and, perhaps most importantly, a story about the importance of stories.

The Bookclub-in-a-Box discussion guide includes complete coverage of the characters, themes, symbols, and writing style, plus discussion questions and more.

Each printed guide also includes:

· A Bookclub-in-a-Box bookmark
· A complementary RAG (Read-Alongside-Guide), a quick reference pamphlet offering interesting facts and questions to consider while reading the novel

Click here to buy the guide in print or PDF format.

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Reviewed by Kathleen Keenan

Cheryl Strayed’s memoir Wild is the moving, surprisingly engrossing account of her 1,100-mile solo hiking trip along the Pacific Crest Trail. After the death of her mother and a devastating divorce, then-22-year-old Strayed decides on a whim to hike the Trail after finding a guidebook in an outdoor store.

From inauspicious beginnings in a dusty California parking lot, struggling with her overloaded pack, Strayed makes her way up to Oregon by hiking, camping, and occasionally hitchhiking. She encounters and often depends upon the kindness of complete strangers along the way, but the memoir is ultimately the story of how she comes to terms with her mother’s death, forgives herself for her mistakes—including those that led to her divorce—and figures out what kind of life she wants to have back in civilization.

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Reviewed by Aaron Kreuter

The Great Gatsby, the new film by Australian director Baz Luhrmann, is one of the most anticipated literary adaptations of the year. Luhrmann’s colourful, overloaded style seems the perfect visual match for F. Scott Fitzgerald’s most famous novel, filled as it is with the glamour, glitz, and overabundance of the roaring twenties. Fans of Luhrmann’s other adaptation of an English-language classic — 1996′s Romeo + Juliet — will not be disappointed. And for those who want to see the story of Nick Carraway, Daisy Buchanan, and Jay Gatsby played out against a lavish backdrop of swirling, boozy parties, the camera zooming all over Long Island and Manhattan, set to a soundtrack of historical tunes and contemporary hip-hop, this is the movie for you.

Tobey Maguire plays the film’s narrator and protagonist, Nick Carraway, a young mid-westerner with hopes of making money off the stock market as a bonds salesman. Nick moves to the East and rents a small cottage in the newly affluent Long Island suburb of West Egg, where he will meet Jay Gatsby (Leonardo DiCaprio), the exceedingly rich, party-throwing, secret-keeping character who gives the movie its title. Carey Mulligan is perfectly suited to Daisy Buchanan, Nick’s second cousin and Gatsby’s lost love, and Joel Edgerton steals every scene he is in as Daisy’s husband Tom Buchanan, the polo-playing, old-moneyed aristocrat and adulterer. The whole cast embodies the language and the extravagance, as well as the underlying longing and fear, that the novel so brilliantly captures.

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A goat and a moose are working together this May, as Toronto theatre company One Little Goat presents the English-language world premiere of the play The Charge of the Expormidable Moose, by Quebec poet-playwright Claude Gauvreau. Widely considered to be Gauvreau’s masterpiece, the playful and provocative play (whose original French title is La charge de l’orignal épormyable) revolves around a poet who is mocked and envied by his fellow housemates — or are they fellow inmates?

The show runs at Toronto’s Tarragon Theatre (30 Bridgman Ave.) from May 10–26, and Bookclub-in-a-Box is giving away two tickets for the date of your choice, plus a copy of the book (translated by York University professor Ray Ellenwood)! To enter, just email laura@bookclubinabox.com with your first and last name by Friday, May 10 at noon.

For more details about the show, or to purchase tickets, visit the One Little Goat website here.

Good luck!

*Winning tickets can be reserved for any date except opening night (May 10) and closing weekend (May 25 and 26), subject to availability. Above photo of the cast courtesy of One Little Goat.

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Reviewed by Aaron Kreuter

The Best Place on Earth, Ayelet Tsabari’s debut collection of short stories, brings readers directly into the messy, human heart of life in Israel. Tsabari — an Israeli of Yemeni descent now living in Canada — tackles a wide number of issues, from the different social stratas of Tel Aviv to living in a country that is constantly at war, to the varied ways that Israelis of different ages, origins, and genders learn to deal with the daily realities of violence, segregation, and death.

As is evident in these stories, Tsabari knows Israel intimately: from the urban streets of Tel Aviv to the quiet outer suburbs, from the Old City of Jerusalem to the Jordan Valley, the stories are filled with the scenes and smells of everyday life of the small Middle-Eastern country. However, the stories are not just cold explorations of Israeli society; they are, in fact, anything but. Tsabari is able to get to the hard, emotional core of a stunning variety of human experiences and relationships, including adolescent girls, artsy boys and hyper-masculine fathers, old lovers, and more. The amount of human connection on display here is astounding. The stories are fierce, startlingly emotional, and teeming with sexual energy, but they are also deeply empathetic, quietly political, and brilliantly executed.

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